Evan Abramson: When The Water Ends

Ethiopia's government is building a new dam in the Omo river projected to be the largest hydropower project in sub-Saharan Africa. Almost 50% of its electrical output has already been sold to neighboring countries, but it will reduce the water flow to the Omo River and threaten the lives of some 500,000-800,000 nomadic pastoralists.

Evan Abramson's When The Water Ends photo essay examines the impact of such a massive infrastructural on the lives of the Omo Valley tribes.

Evan's photographs were also used in a 16-minute video When the Water Ends produced by Yale Environment 360 in collaboration with MediaStorm. It tells the story of the increasingly dire drought conditions facing parts of East Africa, and the eventuality of conflict.

Evan Abramson is a 32-year-old photographer and videographer based in New York, who spent two months in the region, living among the herding communities. His project focuses on four groups of pastoralists — the Turkana of Kenya and the Dassanech, Nyangatom, and Mursi of Ethiopia — who are among the more than two dozen tribes whose lives and culture depend on the waters of the Omo River and the body of water into which it flows, Lake Turkana.

Quite a number of photographers have photographed the tribal people of the Omo Valley, and I'm certain they, as well as many non-photographers, are lamenting the change that will befell the region.

The BBC Celebrates Sir Wilfred Thesiger

Wilfred Thesiger in Ethiopia 1934 (Courtesy The BBC)

For historical buffs and admirers of adventurers/explorers, here's a BBC feature that will please you.

Sir Wilfred Thesiger took nearly 40,000 photographs during his eight decades of travels throughout Africa and the Arabian Peninsula. The BBC, in commemoration of his centenary of his birth, has featured an audio slideshow of his photographs.

Thesiger is best known for two travel books. Arabian Sands (1959) narrates his travels in the Empty Quarter of Arabia between 1945 and 1950 and describes the vanishing way of life of the Bedouins, while he Marsh Arabs (1964) is an account of the indigenous people of the marshlands of southern Iraq. 

From an article 'Gentleman Thrillseeker 'in the Independent newspaper:

Since 1930 Thesiger had documented his journeys in photographs, diaries, and letters to his family. Many of his finest photographs were taken, after 1945, in Arabia and Iraq; he took thousands more, just as fine, in the mountains of Asia, Morocco, Kenya and Tanzania. Thesiger's photographs have long been regarded as works of art in their own right; they also preserve a unique and imperishable record of vanishing tribal societies.

Thesiger was an intriguing man...to say the least. There are plenty of articles and opinions pieces about him and his life.

John Kenny: Omo Valley & Africa

Photo © John Kenny-All Rights Reserved
Here's a real treat for those of us who are enamored with Ethiopia's Omo Valley tribes (and we are many), and a treat for "Africanphiles" in general as well. A real trove of magnificent portraits of handsome and beautiful African native people, ranging from the Omo Vallley various tribes to Kaokoland's Himba.

John Kenny's website presents around 100 of these portraits along with a handful of African landscapes, and is a must-have bookmark for anyone with an ethnographer interest.

John started his photography career about 7 years ago, and is self-taught. He first arrived in Africa in 2006, and keeps returning to photograph because he's fascinated to encounter societies that are able to survive in some of the most arid, isolated and difficult environments.

He tells us that he chose to make each and every one of these portraits because the individuals attracted him, and gave him a sense of wonder. He photographs without using flash or studio equipment, preferring natural sunlight. He also tells us that he travels alone, or with a local guide...and uses local transport to get from one place to the other.

I chose a color photograph to accompany this post, but I suggest you visit John's toned monochromatic portraits. The tones of his photographs are earthy, rich and vibrant...perfect for his subjects.

Via Greg Pleak

NY Times: Madagascar's Famadihana

Having just returned from Bali where I attended and photographed exhumations and cremations, I was interested in reading a The New York Times' article and watching its accompanying video about the celebratory exhumation of the dead in Ambohimirary, Madagascar.

The article written by Barry Bearak (with accompanying photography by Joao Silva) reports that in the island nation of Madagascar, ancestors are frequently taken from their tombs with musical fanfare from brass bands, sprayed with perfume and wine and the skeletons lovingly rearranged.

It's a testament as to how many traditions are carried over from one continent to the other, from one race to the other and from one culture to another.

Vincent de Groot: Faces of Mali

Vincent de Groot took photography up in earnest in 2001, and progressively switched to digital photography since then. Born in the Netherlands, he worked and lived in Germany, then Switzerland and currently resides in France.

He used SoundSlides to showcase his two B&W galleries of Faces of Mali.

Gallery One

Gallery Two